Mallalieu, Sir Joseph Percival William, MP Archive Fonds
1927-1992The collection comprises the literary, political and personal papers of Sir Joseph Percival William Mallalieu (1908-1980), MP, journalist, author and naval officer. The records include: copies of JPW Mallalieu's publications and reviews of his literary works (1942-1985); records concerning Mallalieu's political career (1911-1979) as Labour MP for Huddersfield, 1945-1950, and Huddersfield East, 1950-1979, including both his work in his constituency and as a Minister of State in Harold Wilson's government, 1964-1970; and personal papers (1927-1992) collected by JPW Mallalieu and his wife, Lady Rita Mallalieu, including family correspondence and newspaper cuttings and photographs concerning the Mallalieu family and their careers.
Also three exhibition boards of J. P.W. Mallalieu (MP for Huddersfield East) one at the Labour Rooms in Huddersfield with Barbara Castle in 1962, one of his visit to Bradley Children's Home in 1963 and one of him meeting his constituents also in 1963 [Local History Exhibition at the University of Huddersfield, 2006]
Julian Rushton collection of letters from Elizabeth Maconchy and Phyllis Tate Fonds
1971-1973Five letters from Elizabeth Maconchy and seven letters from Phyllis Tate to Julian Rushton concerning a composition competition held at the Wangford Festival, Suffolk in the 1970s. Julian Rushton was the co-ordinator of the festival and Phyllis Tate and Elizabeth Maconchy were the expert judges of the competition.
A W Kaye, Violinist: Research and Correspondence Fonds
1908-1974Research material gathered and created by Paul Wade. Includes photographs of orchestra, information on pupils etc. of the Huddersfield-based violin teacher, conductor and musician Arthur W Kaye.
2 x photographs of the Huddersfield Permanent Orchestra in Huddersfield Town Hall, c1930s
1 x folder of biography of Kaye by Paul Wade (manuscript). 1974
1 x folder of records used for production of biography in 1974.
1 x file of research material, including assorted clippings, letters and notes, gathered in 1974 and dating from the 1920s onwards.
2 x concert programmes, 1915 and 1925-1926
1 x Huddersfield School of Music syllabus 1908
3 x Photographs of Reginald Stead ('Reggie Stead').
Kirklees Image Archive Fonds
Late 19th century-20th centuryPhotographic archive containing over 250,000 negatives (predominantly glass plates), prints and lantern slides. Images date back to later 19th century and the vast majority relate to the Kirklees area and are topographical in nature. The collection can be divided into two main sections - those taken before 1940 which were acquired through purchase and donation by individual museums, and secondly the photographic archive of the Huddersfield Daily Examiner for the period 1948-1984.
The website http://www.kirkleesimages.org.uk/ contains 61,842 images from the collection; the website can be browsed, searched and prints can be purchased.
Please note that the majority of this collection is uncatalogued and very limited information is available other than the Kirklees Image Archive website http://www.kirkleesimages.org.uk/. If you have specific queries about this collection, please contact Kirklees Museums in the first instance email@example.com.
This collection is owned by Kirklees Museums and Heritage Quay provides storage and some limited public access.
Kirklees Theatre Trust and the Lawrence Batley Theatre Archive Fonds
c1970s-2009This collection contains the records of the Kirklees Theatre Trust prior to the establishment of the Lawrence Batley Theatre, and after. It also contains ephemera produced by visiting musicians and production companies.
The Community Outreach section contains records relating to the audience development programme, c.2000, which aimed to increase theatre attendance from under-represented groups including black and Asian people; and records of the Friends of the Lawrence Batley Theatre.
The Estates Management series contains minutes, correspondence, drawings and contracts relating to two major capital works programmes: the initial conversion of the building into a theatre, and the redevelopment of the North Wing into better rehearsal space. There is also one document relating to the 2004 redevelopment of 6-8 Queen Street. Photographs of the conversion works can be found in KTT/PTT/1.
The Productions section contains documents which were generated during the process of drafting, developing, rehearsing and staging various in-house productions, staged between 1993 and 2002. Documents include rehearsal schedules, audition contact sheets, draft scripts and musical scores.
The Fundraising records document the efforts of the Kirklees Theatre Trust to generate additional revenue through corporate sponsorship; grants from funding bodies; and donations from individuals through the ‘name a seat’ programme, ‘Gift Aid’ donations, and other schemes (1993-2004).
The Kirklees Theatre Trust Constitution and Committees section contains records generated by the official committees of the Kirklees Theatre Trust from 1991-2000. These incomplete series document the decisions made by the Trust and other stakeholders during the conversion and afterwards. Documents generated during the early 1980s, when the ABC cinema on Market Street was considered as a potential venue to house the theatre, are also featured here.
The Artistic Directorship section contains the working files of the first artistic director, Ron McAllister. He had creative input in many of the theatre’s home-grown productions, and also played a lead role in fundraising efforts. These files reflect his varied role, and feature correspondence relating to the staging of the Huddersfield Contemporary Music Festival, bids for grant funding, and the theatre’s creative partnership with the Hudawi Cultural Centre (1996-2000).
At the time of the conversion, the Methodist Church owned the freehold to the theatre building, but the leasehold belonged to the Council. The files in the Legal Affairs series relate to the management of this lease (1989-1997).
Researchers interested in how shows, concerts and events were brought to the attention of the public may wish to consult the publicity files within the Publicity and Marketing section, which contain marketing strategies, press releases and photographs of performers. Additional, loose publicity photographs can be found within KTT/PT/1. The Publicity and Marketing series also contains posters, brochures and programmes (1994-2016).
The Project Management section contains records generated during the lottery funded project to establish an archive of the Lawrence Batley Theatre. It is in this section that the scope of the archive widens, and programmes, press cuttings and other ephemera relating to the history of theatre in Huddersfield generally, and the history of the Lawrence Batley Theatre building are included. Oral history recordings and written reminiscences on these subjects are also present.
Left Book Club Fonds
1932-1952Incomplete set of publications by the Left Book Club, a publishing group that exerted a strong left-wing influence in the UK particularly during 1936 to 1948. The Club offered a monthly book choice, for sale to members only, as well as a newsletter that acquired the status of a major political magazine. It also held an annual rally. It ceased publishing in 1948 in its original form, with the concept and series being revived in 2015, following at least one earlier effort to relaunch the series in the early 2000s.
Lumb, Fred Archive Fonds
1896-1957Rugby League, Cricket and other sports memorabilia
Clapham, Michael, MP Archive Fonds
c1978-2010The archive of Michael Clapham, MP for Barnsley West and Penistone from 1992-2010. The records concern Clapham's work in parliament and in his constituency (1992-2010), as well as records that specifically relate to coal mining and the National Union of Mineworkers (c1980-2010), and records of the Barnsley West and Penistone Labour Party (1978-2006).
During his political career he was a member of:
• Trade and Industry Committee, 1992-1997
• Parliamentary Private Secretary to Alan Milburn (Minister of State, Dept. of Health) 1997
• Business, Enterprise and Regulatory Reform Committee, 2007-2008
• Business and Enterprise Committee, 2008-2009
• Business, Innovation and Skills Committee, 2009-2010.
• NATO Parliamentary Assembly
• North Atlantic Assembly
• Chair of the All-Party Occupational Safety and Health Group
• Chair of the All-Party Coal Fields Communities Group
• Vice-Chair of the All-Party Fire Safety Group
During his time in parliament, he attended the following Public Bill Committee sitting:
• Damages (Asbestos-Related Conditions) Bill Committee (1 out of 1)
• Health and Safety (Offences) Bill Committee (1 out of 1)
• Child Maintenance and Other Payments Bill Committee (7 out of 11)
• Compensation Bill Committee (4 out of 4)
• Drugs Bill Committee (5 out of 6)
• Carers (Equal Opportunities) Bill Committee (1 out of 1)
• Railways and Transport Safety Bill Committee (17 out of 18)
• Equine Welfare (Ragwort Control) Bill Committee (1 out of 1)
Adrian Mealing 'Ian McMillan' Memorabilia Fonds
1994-2010This collection of memorabilia held by McMillan's touring manager includes copies of his poetry and non-fiction publications. It also includes publicity material, press releases and reviews of his projects and live performances from postcards to large format advertising posters. A small and not comprehensive collection of his, audio, video and radio broadcasts is also included. This covers his career from the early 1990s until 2010 when the collection was deposited with the archive.
This collection was catalogued by Helen Bates, Archives Volunteer, in September 2014, under the guidance of Lindsay Ince, Assistant Archivist & Records Manager.
Mikron Theatre Company Archive Fonds
1963-PresentOrganisational archives relating to Mikron's activities since 1972, and related material from founder Mike Lucas' career in theatre prior to establishing Mikron. The collection includes an extensive number of Mikron original scripts, and documents Mikron's working processes as well as containing more 'finished' products like albums. Lucas' contributions to the Company as actor, writer, director, artistic director, tour manager and fundraiser from 1972-2005 are particularly well-recorded. As Mikron uniquely tours by canal narrowboat, many of their plays and often administrative material concern canal history, the restoration of Britain's canal network and issues around transportation.
The archive contains records relating to Mikron’s heritage including pre-1972 plays and other material relating to early incarnations of Mikron and Mike Lucas’ early career, material donated to Mikron by staff and supporters (particularly photographs), recordings of Mikron performances (audio and film), scrapbooks and files compiled as ‘heritage’(eg Mikron’s own digitisation projects), an oral history interview with Mike Lucas for the Unfinished Histories archive and reference material such as books, dissertations and other publications featuring Mikron. This section includes Mike Lucas’ published memoir: ‘I’d Go Back Tomorrow’ as well as books and other publications collected by Mikron as research material and for tour planning purposes.
Administrative and corporate planning records encompass Mikron Council of Management files, AGM files and annual reports and a small number of legal records. There is a substantial section of the archive containing records relating to Mikron's involvement in the running of Marsden Mechanics' Hall and events held there. This includes Marsden Mechanics Management Committee papers, Mikron at the Mechanics material, and records of the Marsden Jazz Festival (of which Mikron were joint-founders and organisers). Administrative records also include material relating to the Marsden Community Association and Marsden Business Association, general correspondence files, and records relating to the management assets and facilities, chiefly Mikron's narrowboat 'Tyseley'. Related to this are documents related to planning and managing tours, such as tour logs, Master Plans, Show Bookings files and correspondence with venues.
The archive contains material related to the function of managing Mikron's relations with its local community. This includes particularly the archive of the Mikron Youth Theatre group, as well as the records of particular education and outreach projects.
There are a substantial number of files relating to Mikron's fundraising activities, including applying for and managing grants from government and charities. This section also includes material relating to Mikron's search for, and relationships with corporate and individual sponsors. Friends of Mikron, the fundraising and advocacy group, is also well-documented, and there are examples of Mikron merchandise sold to generate income, alongside documents relating to other fundraising schemes.
The archive holds some material relating to financial management including bank statements, correspondence with the bank, budgets and returns, show sales information, cash books and show reports, insurance records and a small sample of records relating to government tax-relief schemes.
Mikron's administrative staff have long monitored commercial publications featuring Mikron and collected press cuttings. A series of press cuttings scrapbooks dates back to the Company's early years, and press cuttings files continue to be created. Mikron also kept recordings of broadcasts on radio and televsion in which they featured, and their dealings with broadcasters are documented in the archives.
Marketing, advertising and press relations records include a substantial collection of advertising material (eg posters and flyers), programmes, a large number of press and publicity photographs, press releases and press packs and working files.
Perhaps the largest section of the archive is the collection of scripts and directors' files. Scripts often include drafts and different versions, as some plays were re-worked when they were revived in subsequent years. Over the years Mikron has performed almost exclusively original plays, and each new Mikron script began with a carefully planned research stage. This has generated a large number of research files, many of which include notes from 'workshopping' a script, as well as notes and ephemera collected from external bodies. The Mikron research phase often included seeking out individuals with expertise or personal involvement in the topic in question, and conducting oral history interviews. These interviews are held within the archive, alongside permission forms governing their use.
Mikron ran a small number of projects for which the outputs included a filmed performance and these films have been transferred to Heritage Quay. Mikron shows always include a strong musical element, with original songs being written for each play. Many of these songs have subsequently been professionally recorded and released on albums, which are available in various formats within the collection. There are also some files documenting the recordings and the working processes of Mikron's musical directors and song-writers.
Further records relating directly to Mikron performances include casting files, job applications from freelancers and technicians, rehearsal Records (eg recordings of actors rehearsing), backdrops, a sample of props, costume and set designs.
The archive holds a mixture of analogue and digital records (including digital copies of traditional formats). Note that digital copies have been made for preservation purposes, and are not to be used commercially.
Recurring themes in Mikron shows and performing life: transport and especially canals, pubs and craft beer, feminism and women’s history, industrial history and working class life. The oral histories and research files contain lots of material on these subjects, and the artistic treatment of these themes can also be explored through the scripts and performance records.
There are possibilities of studying individual writers and their creative processes, as well as Mikron’s play development process.
There are excellent sources for the history of the company itself, as example of a small arts/ culture organisation. Also its relations with local government, Arts Council England and its regional bodies. Other potential areas of research would be looking about central and local arts/ culture/ voluntary organisations policies and their effect on local bodies, or the development of individual philanthropy and corporate sponsorship in the arts and culture, particularly from the 1980s onwards.
There is also the potential to trace the careers of particular performers or the effect of a spell in a local company on actors’ careers. Cast members have including Buffy Davis (Jolene in 'The Archers') and Mark Williams (The Fast Show, Arthur Weasley in the Harry Potter films). Other celebrities/ well-known figures who might be of interest & were involved as patrons: Margot Fonteyn, Timothy West, Prunella Scales, Viscount Beaulieu.
Music might also be of interest. As well as albums and recordings of performances, there is a small amount of sheet music and some working material.