Like most heritage organisations Heritage Quay keeps a disaster kit in case of serious damage to the University’s heritage collections (eg. through flooding). We are very fortunate in that we have never had to use our disaster kit – other than in practices!
Last week Sarah was able to access the University’s closed campus and retrieve the personal protective equipment from the disaster kit and donate it to two frontline NHS workers known to members of the Heritage Quay team.
We were able to donate 500 gloves, 800 aprons, 11 full
protective suits, about 40 masks, and a pair of goggles, as well as 6 packs of
Heritage Quay is committed to the health and safety of our visitors and staff. We are closely monitoring the situation regarding COVID-19, and we are working to monitor and respond to the evolving conditions and following guidelines.
We are pleased to add this rare record to the British Dance Band Collection. It is a special souvenir recording issued to commemorate the maiden voyage of the RMS Queen Mary in May 1936. The BBC’s band-leader Henry Hall was asked to direct the ship’s orchestra for the trip to New York and to mark the occasion, he wrote “Somewhere At Sea” as the signature song of the brand new liner.
In the British Dance Band collection is a vast array of old 78 rpm records with attractive labels. Here’s a rare one from about 1930 advertising Siemens light bulbs! It is hoped that the collection will provide research material across a wide range of disciplines. Perhaps a Graphics student might write a thesis on pre-war record label design……..
An advertising record produced for the promotion of Siemens and their Opal and Pearl light bulbs. Recorded by an unidentified group of musicians and the vocalist Eddie Grossbart. Listen out for a lovely pair of solos….an alto just before the vocal and a trombone later on. The presence of Grossbart and the composer credit “Jeanette” have led some people to speculate that the musicians are members of Ambrose’s Orchestra. I am not so sure, and suggest that the band resembles that of Howard Godfrey’s Waldorfians. The record seems to have been pressed using the Duophone “unbreakable” process, but the recording timbre and quality is definitely that of Piccadilly. I would also suggest that the record was made towards the end of 1929 or even 1930 (rather than 1928 given in the discographies).
THE UK experiences of people of African-Caribbean descent over four generations are charted and explored in an ambitious new film that draws on more than 80 newly-recorded interviews with individuals whose ages range from 11 to well over 80. It focusses on the African-Caribbean descent community in Huddersfield, and the town’s University – staff and students – contributed to the project’s diverse production team, with the project archive being made available at Heritage Quay.
Now, as part of Black History Month, the 70-minute documentary, titled Windrush: The Years After – A Community Legacy on Film, is to have two showings at the University of Huddersfield where it was first screened last summer. A public screening in association with the University of Huddersfield Archives will take place in Heritage Quay as part of the Windrush Huddersfield Exhibition on Saturday 19 October (12 noon to 3pm). This event includes a Q&A session with key community members and opportunities to look at extensive displays. The Department of History is also to host a screening on Thursday 24 October (2.15pm to 4.15pm), in the Joseph Priestley Lecture Hall (room JPG/18) where there will further opportunities for discussion.
The prime mover in the project is Milton Brown,
the son of invited economic migrants who came to Huddersfield from
different parts of the Caribbean in the post-war years. He is now chief
executive of Kirklees Local TV
(KLTV) and is also studying for a PhD at the University of
Huddersfield, so involving the University was an ideal way of linking
research and community interests. A key collaborator was the film
historian Dr Heather Norris Nicholson, who has been a Senior Research
Fellow at the University’s Centre for Visual and Oral History.
“We needed to put this story together for a wider audience,” said Mr
Brown. “I was doing it purely to give the African-descent community a
voice, rather than another generation dying out without being able to
tell the story.”
As the interviews progressed, the constant theme was one of struggle,
as newcomers from the Caribbean and their families, faced economic and
social pressures, including day-to-day racism, continued Mr Brown.
“They had to take jobs that nobody else wanted and it was a question
of ‘how do we overcome this?’. They retreated from the mainstream of
society and started to build social and economic dependence within their
own community. There was a quiet dignity among the majority who came
here and they showed an ability not to quit, even though the odds were
stacked against them.”
Funding for the film included £34,500 from the National Lottery Heritage Fund. The University of Huddersfield also provided financial support. In addition, Professor Barry Doyle, who heads the Department of English, Linguistics and History, in discussion with Milton Brown, enabled PhD researcher Joe Hopkinson and a number of undergraduate students to contribute to the project as part of their own studies and work alongside volunteers and the 14-strong production team at KLTV.
“While a lot of the people involved in it are University people, they
weren’t doing it for the University, but working within the community.
And there were people from a lot of different ethnic and social
backgrounds involved,” said Professor Doyle.
Mr Brown added that having such a diverse team was a major aid in
understanding the historical and cultural journey that was being
recorded. “We created a community within a community and learned a lot
from each other.”
The team conducted 80 new interviews and the film includes footage
from 45 of them. All of the material – plus a research copy of Windrush: The Years After – is archived at Heritage Quay.
“Making the film was only one part of the project,” said
Dr Norris Nicholson. “Running alongside it was a process of creating
educational resources, gathering papers, posters and memorabilia, and
then cataloguing the material and depositing it at Heritage Quay, where
it is available now.”
The team agree that the findings and the testimonies from the project
have a relevance to all peoples who experienced migration, wherever
they settled. “But there are also dimensions that are specific to
Huddersfield,” said Dr Norris Nicholson, citing the district’s
industrial history and patterns of post-war re-development.
“Some people we interviewed talked about their journeys to the UK and how they reached Huddersfield. Others reflected on their own lives as Yorkshire-born peoples of African-Caribbean descent. We were conducting oral history and tracing individual life stories, so a lot of details came out about experiences and attitudes during different decades. The film tells a story of national and international significance from a local perspective.”
Story originally published at https://www.hud.ac.uk/news/2019/october/windrush-the-years-after-huddersfield/
Although our British Dance Band Collection is predominantly concerned with popular music between the two World Wars, we have some examples of recordings made at the point where Ragtime was about to morph into Jazz. One of the most interesting combinations was a group of American Black musicians based at the fashionable Ciro’s Club. Here they are in 1917
are looking to recruit an outgoing, enthusiastic and committed
individual to work in the University Archives in its multi-award-winning
facility Heritage Quay.
will act as the first point of contact for customers accessing the
archives in the research room or via remote enquiries, and you will
assist in the day-to-day care of the heritage collections, accessioning and listing collections in Calm (collections management software).
You will have a good general education including GCSEs in English and Mathematics (or equivalent qualifications) and you will have good IT skills. You will be able to demonstrate your experience of dealing with customers in a pressurised environment and your commitment to providing a high standard of customer service. You will also be able to work effectively as part of a team and possess good interpersonal and communication skills.
This was not a big seller and a good clean copy has only recently been added to the Heritage Quay British Dance Band Collection. It is Eric Coates’s delightful “By The Tamarisk” played by Jack Hylton’s Orchestra. Hylton’s Orchestra was a major stage attraction by 1926 and exploring material well beyond the normal expectations of a dance band. Coates was enjoying the success of his Three Bears Suite and Selfish Giant at the time Hylton added “By The Tamarisk” to their repertoire