The beginnings of jazz

Charles Hippisley-Cox writes about his British Dance Band collection:

The first authentic jazz recordings in the UK were “waxed” exactly 100 years ago this month during April 1919.   A group of young guys has just arrived from New Orleans and had taken London by storm.   Columbia swiftly saw their potential and whisked them off to their recording studios and issuing a series of very important recordings.  We have a full set of the “Original Dixieland Jazz Band” Columbia 78s in the British Dance Band Collection held at Heritage Quay and here is a link to one of their UK recordings; Satanic Blues:

“They’re Wearing ’em Higher In Hawaii” – by the Corner House Ragtime Band (1918)

Charles Hippisley-Cox writes

Here’s another recent addition to the British Dance Band collection here in the Heritage Quay.   It represents exactly what was happening in popular music at the end of the Ragtime era before the arrival of jazz.    The band was based at Lyons’ Corner House, Coventry Street, London with an instrumentation based on a lead violin, two banjos, piano and drums.   Recorded in March 1918 and issued on the Winner record label that had adopted a rather dull colour during the austerity of WW1.  Jazz “proper” arrived exactly 100 years ago by boat with the visit of the Original Dixieland Jazz Band.   Next month we will be celebrating this by sharing their first London recording which was in April 1919″

Heritage Quay welcomes England Netball Archive

The archive celebrates the game from 1897 to the present day

Netball is a boom sport and now its origins and development can be traced by visitors to Heritage Quay.

It has become home to the England Netball Heritage Archive, a large collection of documents, pictures, videos and memorabilia covering the history of “women’s basketball” – as it was originally known – from 1897 to the present day, including recent highlights such as the exploits of the England team, which vanquished Australia to win Gold at the 2018 Commonwealth Games.

Based on American basketball, netball was created in England in 1897 at the Bergman-Österberg Physical Training College for Women, in Dartford.  By 1900, the rules had been published and the game soon spread across the British Empire. 

The All England Net Ball Association was founded in 1926 and in 2016 the modern body England Netball was awarded a grant by the Heritage Lottery Fund to mark the sport’s 90th anniversary by creating an archive.

When the anniversary celebrations had concluded, England Netball sought advice on the best permanent home for the collection, and the UK’s National Archives recommended the University of Huddersfield’s Heritage Quay.

One of the most publicly accessible and advanced facilities in the sector, it also houses the archives of the Rugby Football League.  Now it becomes even more attractive to sports historians and enthusiasts by homing the extensive England Netball Heritage Archive, which is fully catalogued online.

August 1967 – England Squad of 10 selected to go to Australia for the 2nd World Tournament in Perth and then to tour Australia.
August 1967 – England Squad of 10 selected to go to Australia for the 2nd World Tournament in Perth and then to tour Australia.

Netball Heritage

At a special launch event, guest speakers included Liz Nicholls CBE, a former netball international herself who is now CEO of UK Sport.  Current England Netball CEO Joanna Adams also spoke, and there was a welcome from the historian Professor Tim Thornton, the University of Huddersfield’s Deputy Vice-Chancellor. Also speaking was Councillor Mumtaz Hussain, the Deputy Mayor of Kirklees Council.

After the opening speeches, netball enthusiasts at the launch event were the first to have the opportunity to examine items in the archive.

Joanna Adams said: “Netball has grown massively and been thrust into the limelight, especially over the last 12 months since the England team won the Commonwealth Games for the first time in history.  It is wonderful to now be able to look back on how it all began thanks to this archive, and to see how netball got to where it is today.

“I hope others enjoy sharing in the history of this sport as much as I do.”

Sarah Wickham, the University’s Archivist and Records Manager, said: “We are delighted that England Netball have deposited their archive with Heritage Quay.  This is a significant addition to our sporting collections.  Building on netball’s recent high profile successes, we look forward to welcoming researchers interested in exploring the sport’s rich history, and working with England Netball to develop the archive in the future.”

To donate or loan netball memorabilia to the Netball Heritage Archive, contact ournetballhistory@englandnetball.co.uk.

The special event at Heritage Quay coincided with the University of Huddersfield hosting the Under-17 Europe Netball Championships, taking place in its sports hall.

Pictured in the University’s Heritage Quay (l-r) CEO of UK Sport Liz Nicholls CBE, CEO of England Netball Joanna Adams, University Archivist and Records Manager Sarah Wickham and President of England Netball Lindsay Satori.
Pictured in the University’s Heritage Quay (l-r) CEO of UK Sport Liz Nicholls CBE, CEO of England Netball Joanna Adams, University Archivist and Records Manager Sarah Wickham and President of England Netball Lindsay Satori.

Story originally published at https://www.hud.ac.uk/news/2019/march/england-netball-heritage-archive-huddersfield/


Collections week January 2019

During termtimes it can be hard for the team to carry out work on new collections which means that they are available for researchers to use.  During quiet periods, in common with many other archive services, we therefore close the research room usually for around a week and keep the time free of other activities such as teaching and meetings so that we can focus on big collections.  As well as having plenty of space to spread them out if a lot of physical work is needed.

During January 2019 we were closed from Wednesday 2nd – Friday 11th inclusive to work on two big collections: the Colin Challen (MP) Archive and the Sir Patrick Stewart Archive.

The Challen Archive had been boxed (around 80 boxes) on its arrival at Heritage Quay  but because of the quantity of material no other work had been done since it was transferred by Colin Challen in November 2017.  During Collections Week the team were able to survey the material and to sort it into key series, mostly corresponding with Challen’s various roles and offices as a member of the Labour Party.  The archive was also listed, and a small project identified for further detailed listing of the miscellaneous consitutency Labour parties in CHN/8 (planned for 2020). 

The catalogue is available on the Heritage Quay online catalogue at www.heritagequay.org/archives/chn and also on the Archives Hub/Archives Portal Europe.  This part of the work took around 18 person-days and involved 6 members of the team.  More details in a later post!

We had undertaken some work on the Patrick Stewart Archive in a previous collections week, and took 6 person-days this time to expand and complete some of the work previously started.  The catalogue for the Patrick Stewart Archive is at www.heritagequay.org/archives/psa/ – and again, more details to follow!

A “world record”

Charles Hippisley-Cox writes

Here’s one of the latest additions to the British Dance Band Collection held here at Heritage Quay.   It is an exceptionally rare example of a World Record from the early 1920s.   Unlike most of the collection wherethe records revolve at 78 r.p.m, World Records experimented with a system where the record starts slowly and gradually accelerates towards the record label. 

Record label
Record label for World Record

The theory was to reduce the deterioration of sound quality towards the centre of disc recordings where each rotation is shorter.  For various reasons the “World” project was doomed with the eccentric polymath aviator, publisher, Member of Parliament and entrepreneur-inventor Noel Pemberton Billing (1881–1948) swiftly moving on to other things .

However the system of “constant linear speed” was revisited much later with the introduction of CDs that revolve at a much faster speed when the laser gets close to the centre.The new acquisition will be difficult to transfer to an accessible MP3 as the team are still working out a way of using computer software for editing the sound files which will be recorded at a constant speed and then adjusted accordingly.

What does performance art tell us about the world we inhabit?

We’re always glad to see the outputs from people using the collections, and a few months ago composer Amble Skuse explored the British Music Collection for a curated series commissioned by our partners Sound and Music.

Amble’s series of pieces can be read in full at https://britishmusiccollection.org.uk/article-category/amble-skuse-curation Her series begins:

I’m interested in power and how it manifests. So the choice to curate the Experimental box from the British Music Collection may seem a little counterintuitive. After all, power stems from big concertos, commissions from kings, and requiems for great people, doesn’t it? Well, that is one way of looking at power, but if we want to critique it perhaps we need to look at composers who are not taking this top down approach to composing. Not asserting control over the players with every minutiae of notation.

In the experimental box we find composers whose work explores the usual musical considerations, tone, melody, harmony, rhythm, texture, colour etc, but also are aware of the structures around how we make music. These experimental composers are exploring ways in which we can subvert traditional hierarchical music composition using techniques from cultural theory. In this box we find approaches from Marxism, Anarchy, Feminism, Disability Theory, and Globalisation applied to the music making environment.

I’m interested in the ways in which music can incorporate broader socio-political themes, through its performance direction. Personally, I work somewhere between composer and performance artist, using music and sound in a performance art context, imbuing the ‘performance’ of the work with further readings related to socio-political context. I find that this approach allows me to use context to add meaning to my performances.

Explore Amble’s series further.

What will you discover on the Archives Hub?

We’ve recently updated a lot of the catalogue information we contribute to the Archives Hub and the Archives Portal Europe.

As of right now (!) the Archives Hub contains information about 1,439,837 archive collections in 341 different repositories across the UK. 

The Archives Portal Europe currently contains information about 270,327,385 descriptive units of archives in 7,036 institutions across Europe.

Using portals like the Archives Hub is an effective way to discover unique and often little-known sources to support your research. New descriptions are added every week, often representing collections being made available for the first time. Use the portals to instantly scan the archival landscape and bring together diverse sources held in repositories across the continent.

Whether you are just starting out or are ready to explore your subject in depth, portals can help inform your work. They represent a huge diversity of content, from the archives of industries, institutions and researchers to the letters and manuscripts of writers and poets.

You can see all our descriptions and other information on the Archives Hub at https://archiveshub.jisc.ac.uk/search/locations/627a22c9-d85c-3c8a-bb43-6daed9e6aa00