• LUM

    Lumb, Fred Archive Fonds

    Rugby League, Cricket and other sports memorabilia
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  • MCA

    Clapham, Michael, MP Archive Fonds

    The archive of Michael Clapham, MP for Barnsley West and Penistone from 1992-2010. The records concern Clapham's work in parliament and in his constituency (1992-2010), as well as records that specifically relate to coal mining and the National Union of Mineworkers (c1980-2010), and records of the Barnsley West and Penistone Labour Party (1978-2006).

    This collection will not be fully catalogued until Dec 2017. A basic catalogue structure and biography of Clapham have been provided to enable access to this collection until then. Please contact the Heritage Quay team if you would like to consult this archive further.
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  • MCM

    Adrian Mealing 'Ian McMillan' Memorabilia Fonds

    This collection of memorabilia held by McMillan's touring manager includes copies of his poetry and non-fiction publications. It also includes publicity material, press releases and reviews of his projects and live performances from postcards to large format advertising posters. A small and not comprehensive collection of his, audio, video and radio broadcasts is also included. This covers his career from the early 1990s until 2010 when the collection was deposited with the archive.

    This collection was catalogued by Helen Bates, Archives Volunteer, in September 2014, under the guidance of Lindsay Ince, Assistant Archivist & Records Manager.
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  • MKN

    Mikron Theatre Company Archive Fonds

    Organisational archives relating to Mikron's activities since 1972, and related material from founder Mike Lucas' career in theatre prior to establishing Mikron. The collection includes an extensive number of Mikron original scripts, and documents Mikron's working processes as well as containing more 'finished' products like albums. Lucas' contributions to the Company as actor, writer, director, artistic director, tour manager and fundraiser from 1972-2005 are particularly well-recorded. As Mikron uniquely tours by canal narrowboat, many of their plays and often administrative material concern canal history, the restoration of Britain's canal network and issues around transportation.

    The archive contains records relating to Mikron’s heritage including pre-1972 plays and other material relating to early incarnations of Mikron and Mike Lucas’ early career, material donated to Mikron by staff and supporters (particularly photographs), recordings of Mikron performances (audio and film), scrapbooks and files compiled as ‘heritage’(eg Mikron’s own digitisation projects), an oral history interview with Mike Lucas for the Unfinished Histories archive and reference material such as books, dissertations and other publications featuring Mikron. This section includes Mike Lucas’ published memoir: ‘I’d Go Back Tomorrow’ as well as books and other publications collected by Mikron as research material and for tour planning purposes.

    Administrative and corporate planning records encompass Mikron Council of Management files, AGM files and annual reports and a small number of legal records. There is a substantial section of the archive containing records relating to Mikron's involvement in the running of Marsden Mechanics' Hall and events held there. This includes Marsden Mechanics Management Committee papers, Mikron at the Mechanics material, and records of the Marsden Jazz Festival (of which Mikron were joint-founders and organisers). Administrative records also include material relating to the Marsden Community Association and Marsden Business Association, general correspondence files, and records relating to the management assets and facilities, chiefly Mikron's narrowboat 'Tyseley'. Related to this are documents related to planning and managing tours, such as tour logs, Master Plans, Show Bookings files and correspondence with venues.

    The archive contains material related to the function of managing Mikron's relations with its local community. This includes particularly the archive of the Mikron Youth Theatre group, as well as the records of particular education and outreach projects.

    There are a substantial number of files relating to Mikron's fundraising activities, including applying for and managing grants from government and charities. This section also includes material relating to Mikron's search for, and relationships with corporate and individual sponsors. Friends of Mikron, the fundraising and advocacy group, is also well-documented, and there are examples of Mikron merchandise sold to generate income, alongside documents relating to other fundraising schemes.

    The archive holds some material relating to financial management including bank statements, correspondence with the bank, budgets and returns, show sales information, cash books and show reports, insurance records and a small sample of records relating to government tax-relief schemes.

    Mikron's administrative staff have long monitored commercial publications featuring Mikron and collected press cuttings. A series of press cuttings scrapbooks dates back to the Company's early years, and press cuttings files continue to be created. Mikron also kept recordings of broadcasts on radio and televsion in which they featured, and their dealings with broadcasters are documented in the archives.

    Marketing, advertising and press relations records include a substantial collection of advertising material (eg posters and flyers), programmes, a large number of press and publicity photographs, press releases and press packs and working files.

    Perhaps the largest section of the archive is the collection of scripts and directors' files. Scripts often include drafts and different versions, as some plays were re-worked when they were revived in subsequent years. Over the years Mikron has performed almost exclusively original plays, and each new Mikron script began with a carefully planned research stage. This has generated a large number of research files, many of which include notes from 'workshopping' a script, as well as notes and ephemera collected from external bodies. The Mikron research phase often included seeking out individuals with expertise or personal involvement in the topic in question, and conducting oral history interviews. These interviews are held within the archive, alongside permission forms governing their use.

    Mikron ran a small number of projects for which the outputs included a filmed performance and these films have been transferred to Heritage Quay. Mikron shows always include a strong musical element, with original songs being written for each play. Many of these songs have subsequently been professionally recorded and released on albums, which are available in various formats within the collection. There are also some files documenting the recordings and the working processes of Mikron's musical directors and song-writers.

    Further records relating directly to Mikron performances include casting files, job applications from freelancers and technicians, rehearsal Records (eg recordings of actors rehearsing), backdrops, a sample of props, costume and set designs.

    The archive holds a mixture of analogue and digital records (including digital copies of traditional formats). Note that digital copies have been made for preservation purposes, and are not to be used commercially.
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  • MLL

    Lucas, Mike, "Mikron" library Fonds

    A library maintained by Mikron Theatre Company founder Mike Lucas. The books are arranged by subject and directly relate to the themes of many Mikron shows.

    There are also a set of Waterways journals from 1973 onwards.
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  • MNT

    Minter, Gordon & Enid, Slides Archive Fonds

    20th century
    The Minter Collection is a series of talks, illustrated with slides, originally developed and delivered by Gordon and Enid Minter to various groups around the Huddersfield area.
    The talks are kept in the same weekly order as they were received. Some of the talks have more than one version, probably indicating the tailoring of their talks to specific audiences. All but two of the talks have accompanying slides, again in the same order as received.

    Subjects include the Chronology of Huddersfield, Castle Hill, Almondbury Boundary, Legends, Maps, Vernacular Architecture, Place Names, Mills, Joseph Kaye, Churches, Yards of Huddersfield, Co-operative Societies, Riot and Rebellion (Plug Riots, Weaver’s Strike, Crossley Murder, Scottish Rebellion, Seige of Huddersfield, Skelmanthorpe Fight, Bill O’Jacks, Thorncliffe Murder), Luddites, Markets, Industry, Water, Canals, Railways, Trams, Buses, Trolley Buses, Carvings, Halls, Then and Now, Landmarks, Parks, Woodland, Fields and Hedges, Coining, Child Labour, Executions at York,
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  • MOR


    Items recording Anthony Peabody's research into Joe Morley for his MA Thesis which contains a catalogue.
    1 DVD Scores. Fingerstyle banjo sheet music (public) .midi and .mus
    2 Memory stick - files and explanations (can keep (early drive)) Flash drive
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  • MRH

    Rhodes, Marion Archive Fonds

    Mid 20th Century
    3 paintings and 40 pencil drawings, mostly signed, which Marion Rhodes completed as assignments whilst attending Huddersfield School of Art at the beginning of her career.
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  • MSC

    Missen, Chris - True Crime Collection Fonds

    This collection contains a range of magazines, mainly US publications, including True Crime, Master Detective, Detective Cases, True Detective, Confidential Detective, Official Detective.
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  • MSF

    The Dream Job: Humanitarian Nursing with Médecins Sans Frontieres - Oral History Archive Fonds

    This is an oral history project of nurses who worked for Médecins Sans Frontières in the 1990s and early 2000s which attempts to understand the motivation for humanitarian nursing in the late 20th century and to locate this work in the life story of the nurses interviewed. The aim in recording their histories was to better understand nurses' motivations for engaging in humanitarian work, in particular where no immediate threat of war or invasion is present and in the absence of overt religious or nationalistic motivations. In so doing the analysis offers insights into nursing identity and the place of humanitarianism in nursing practice. Secondary aims were to explore nurses' contribution to Médecins Sans Frontières (MSF) and their experience of being in the field following humanitarian crises of the 1990s and early 2000s.

    Seven oral histories were recorded in 2013; each was recorded in a single sitting. Six of these histories are currently included in this archive. Orators/Participants were asked to recount their pathway to becoming a nurse and then subsequently volunteering with MSF; their experience of working for MSF; and their post-MSF life. Beyond these three questions few prompts were offered. A voice centred relational method (The listening guide) was used to aid analysis of the text due to its multilayered and feminist approach to understanding and analysis. The nurses offer a window into the life of a nurse working for MSF and thus some insight into the organisation itself. In addition, the histories include eye witness reports of involvement in humanitarian missions all over the world in the late 20th and early 21st century.

    This project did not set out to explore MSF as an organisation in any detail so no attempt has been made, retrospectively, to do so. MSF [also known as 'Doctors without Borders'] is a large, multinational organisation offering medical aid in areas of conflict and natural disaster. Formed in 1971 in France it was created on the "belief that all people have the right to medical care regardless of gender, race, religion, creed or political affiliation, and that the needs of these people outweigh respect for national boundaries" ( There are now regional offices all over the world, operating in a coordinated but widespread system. MSF UK was opened in the early 1990s, which gave starting date to the period of time explored in the oral history project.
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